| Ooh! One of the unexpected bennies of joining the IFP this year to promote SISTER BEE was receiving an invitation to vote on the 2007 Spirit Awards. Fun project. I confess… I didn’t get to view all the nominees but it wasn’t for lack of trying. Andy and I spent the last three weeks studying up – watching a nominee a night – trying to cram them all in. I won’t bore you with a blow by blow of each film. But thought I’d pass the word along about some stellar films you may not yet have had a chance to see.
MOST CHARMING
Had to be WRISTCUTTERS. A romantic comedy in the vein of “Harold and Maude,” WRISTCUTTERS features the surreal yet banal adventures of a motley group of suicides as they navigate the afterworld in search of love and hope. Quirky story. Great cast (Tom Waits, Patrick Fugit). Wistful. Strangely uplifting. Don’t let the title turn you off.
MOST HIP
FOUR EYED MONSTERS. Hmm… how to describe this innovative film? Two young artists (a filmmaker and a painter) meet online and carry out an experimental courtship in which they choose not to speak. They communicate by scrawling post-its, tapping out email, IM’s and making video blogs and collaborative drawings. It’s a semi-autobiographical film with a documentary feel. I didn’t make a love connection with either of the principal characters but had a blast watching them play at making art out of bits and bytes. Beautifully shot. Absolutely worth a look-see.
MOST ARTFUL FREAK SHOW
In the mood for something a different? Check out BROTHERS OF THE HEAD. Another feature-shot-like-a-documentary about a set of conjoined twins – teenage brothers who become punk stars after an ambitious music promoter whisks them away from their childhood home and teaches them how to play guitar. BROTHERS OF THE HEAD offers a punk-poetic exploration of celebrity, individuality, brotherhood and privacy. Creepy-beautiful.
MOST THRILLING
I don’t want to give away any plot points for SORRY, HATERS (which, by the way, turned out NOT to be the sensitive, character-driven film about race relations in post 9-11 New York I thought it was going to be). Let’s just say that Robin Wright Penn’s portrayal of a New York career woman who takes a fateful cab ride rivals Glenn Close’s performance in FATAL ATTRACTION for most hair raising. SORRY, HATERS is an uncompromising thriller that left my jaw hanging. If you get a chance to see it, drop me a line. I’d love to hear what you think.
BEST PERFORMANCE
Ryan Gosling garnered an Oscar nomination for his portrayal of a drug-addicted school teacher in HALF NELSON. Light on plot but heavy on character and atmosphere I appreciated this film’s slowness which seemed about love to me.
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