Painter Karen Conduff and I are meeting today to talk about our July show at Rembrandt Yard in Boulder. We both love painting from life. The role of technology in our lives is part of what we’re talking about these days.

Tenderness.

Megan Metheney-Lauzet by Rebekah West

If you’ve got any good data viz links up your sleeve, send them my way! I cannot get enough of this stuff.

It’s that poignant time of year.

COPYRIGHT NORMS ARE CHANGING
WordCamp panelist Dave Taylor claims ownership of all comments folks leave on his blog. Here’s the text he posts on his site.

“Please note that by submitting a question or comment you’re agreeing to my terms of service, which are: you relinquish any subsequent rights of ownership to your material by submitting it on this site.”

He is taking his lead from FaceBook, the behemoth that claims ownership of all the content people upload to its network. Yes, he says he’s consulted with a lawyer. I think he’s being bold and that this is a fluid, potentially contentious area. It’ll be interesting to see how this stuff pans out, especially if he ever pens (or edits, I should say) a book based on his blog.

DESIGNERS KNOW WHERE IT’S AT
The folks who sat on the Design Panel – Jim Turner, Kevin Conboy and Kevin Menzie – recommended the following sites for when you’re in the need of a hit of visual inspiration. Dribbble, CSSRemix and ZooTool.

COMMENTS DESERVE MODERATION
The first session I attended, Creating a Blog Community, evolved (or devolved depending on your point of view) into a discussion on comment moderation. Most panelists seemed in favor of comment moderation. Fortunately, this blog doesn’t require much moderation (all you who comment here are kind). But if it did, I’d do so without hesitating. I believe it’s up to a blog’s author to set its tone. So does Doyle Albee whose rant about the comments area of my local paper’s website is worth a read.

Pollen from Dandelion by Wolfgang Laib, 1999

Untitled by Wolfgang Laib, beeswax, 1993

The Five Mountains Not To Climb On by Wolfgang Laib, 1984

Those yellows are something special, don’t you think?

Several Circles by Vasily Kandinsky, 1926

‘The circle, he (Kandinsky) wrote, is “the most modest form, but asserts itself unconditionally.” It is “simultaneously stable and unstable,” “loud and soft,” “a single tension that carries countless tensions within it.”

Kandinsky loved the circle so much that it finally supplanted in his visual imagination the primacy long claimed by an emblem of his Russian boyhood, the horse.’

- Natalie Angier for the NYTimes

Neighborhood fox sunning itself in backyard, November 2009

Speaking of foxes, there are two films you need see if you’re as into foxy beauty as I am. They’re both about the yearning/harrowing relationships we humans have with wild things.

Fantastic Mr. Fox, out in theaters now, is a masterpiece. Seriously. More than any other recent film, it made me itch for the resources only Hollywood can bestow. Gorgeous, funny, tender and sweet.

The Fox and the Child, also wonderful, is a nature film hung on a narrative about a woodland girl’s friendship with the neighborhood fox which she tries to tame. Frightening, but beautiful, too.

Neighborhood fox in full yawn, November 2009

According to the Animals in Fairy Tales instructors, each person’s chosen animal represented how he or she wished to be seen. (Uh oh.) I love how in Jungian thought symbols, especially animals, are rich with meaning. Great for dreaming… and painting.

P.S. I know I’ve been a delinquent blogger lately. It’s been a hectic couple of months. I have missed you.

More pics here.

Butterfly Emerges from Stellar Demise in Planetary Nebula NGC 6302

“What resemble dainty butterfly wings are actually roiling cauldrons of gas heated to more than 36,000 degrees Fahrenheit. The gas is tearing across space at more than 600,000 miles an hour — fast enough to travel from Earth to the moon in 24 minutes!”

The painting above was inspired, in part, by salad burnet.

Burnet stem and leaves

Burnet is a cucumber scented salad herb. Like many herbs, it’s a vigorous grower but wilts quickly when picked. Its leaves are soft and flimsy and it has beautiful curving stems. Though I don’t often use serrated leaves in painting (too zig zaggy) I’m happy to make an exception for burnet leaves. They remind me of an animal’s hands, and when painted brown, they remind me of oak. Either way, they charm me. I hope you like them, too.

Strangely, the lines I get when I draw from the real offer more surprises than those that spring from my imagination alone. All my current work is inspired by plants. I don’t aim to copy them, but use them as a way to ground my hand.

Wayne Thiebaud, “Bakery Case,” 1996

I went for the cakes (there’s something deliciously subversive about all that sugar) but ended up falling for his newer work – vertiginous, playful landscapes – a few of which are on view in this nice slideshow by the Sacramento Bee.

Of course, Thiebaud’s paintings are right and wonderful as they are, but I can’t help wondering how even MORE wonderful they’d be if they’d been rendered in wax. Thiebaud has a fantastic brushstroke that’s both indulgent and restrained. it’s hard to see in reproduction, but he makes these careful linear strokes and then mars them with goopy flourishes. It’s a sensual technique that seems ready-made for encaustic.

I’m a sucker for museum gift stores and picked up this sweet little book Counting with Wayne Thiebaud when I was there. Its cropped reproductions show Thiebaud’s brushstrokes fairly well.

It’s nice to know that, at 88, some people still paint like rock stars.