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| Art Reviews, Encaustic | |
My favorite thing about NYC is the layers. It’s just layers and layers and layers of stuff everywhere you look. I had the pleasure of visiting the great city last week. Here are a few of the things I thought you might enjoy. C.B. I Hate Perfume Richard Serra at the Gagosian
Here’s a bit about how the drawings are made from the one-sheet at the show. Melted paintstick is poured onto a hard surface on the floor or a table. Sometimes a sheet of window-screen is placed on top of the liquid paintstick. Then the paper is laid down, either on top of the screen or directly on top of the liquid paintstick. Pressure is exerted on the back of the paper with a hard marking tool and the front side of the paper picks up the mark. In this series no direct drawing is done on the front of the paper… In the Solids series, as the layering of gesture increases, so does the accumulated mass and perceived weight. The effects of compression, torsion, the surface tension of the material and, finally, gravity, all work, as the paintstick coalesces to produce widely varying textures. So basically… printmaking. For me, these pieces are all about their compositions. The textures are interesting. Integral, even. But it’s the compositions, seen at mid-distance (those raggedy edges!) that thrill me. Garden of Earthly Delights
To see it bigger, click here. It’s intense, I know. But that’s life, eh? (At least in New York.) | |


