Happy Thanksgiving 2018

"Small White Blossom," wood engraving

“Small White Blossom,” wood engraving, 2018

The print to the left is a tiny wood engraving.  At 1.5″ x 2″ it’s smaller in real life than it appears here.  One of the joys of the last year for me – something I feel thankful for – has been rediscovering relief printmaking, a process I explored and loved as a younger person and am just now getting back into thanks to seeing so many amazing woodcuts at Mo’Print last spring. While there’s lots to love about relief printmaking the thing that’s hooking me in this moment is the potential for expression bounded by constraints.  I love the challenge of making images with stripped-to-the-elements qualities that say something about energy.  And I love working with wood.

 

Wishing you and yours a cozy Thanksgiving. May you find joy in some small thing you find, make or do this weekend.

 

 

Boulder Arts Week 2018

I use encaustic monotype as a sketch medium to try out combinations of texture, color and composition.  The monotype process is painterly and quick.  I like it because it doesn’t allow you to overthink.  Join me at 7:30 pm this Friday, April 6th for a demonstration at my studio during Boulder Arts Week.  The address is 1650 Yellow Pine Avenue, Boulder.  My studio is downstairs and will be open from 6:00 to 9:00 pm.

Untitled monotype by Laura Tyler

Untitled monotype by Laura Tyler

Boulder Arts Week Logo

New still life photographs: Future Perfect

Imagine you’re a three-year-old lying on the floor of your childhood home. You look up. The walls are raked with light. There’s a hallway made of planes that leads to another room. And the room beyond that has a different tone because of the way the sun is positioned in relationship to the house. You become aware of yourself as a sensing, physical being located in three dimensional space and you feel a sense of wonder.

"Patient," photograph

“Patient,” photograph, Future Perfect

Future Perfect is a new series of still life photographs in which I aim to reconcile physical and digital realities by building imaginary spaces using sculpture and digital photography.

"Novitiate," photograph

“Novitiate,” photograph

Each piece begins as an abstract painting of a botanical subject. Then I make a three-dimensional object based on the painting using wax and wood and photograph the object on seamless white background.

Yellow Chunk

“Yellow Chunk,” photograph

My goal is to make evocative images with a grounded, tactile quality that are also idealized.

“Volunteer,” photograph

Future perfect is also a grammatical tense that suggests an action yet to be completed, as in “I will have done this,” or “You will have done that.” It as an optimistic construction that allows us to communicate thoughts about an anticipated future that has yet to coalesce.

Check out the Future Perfect gallery on my site to see all current images.  This is a new series that I’ll be adding to in the new year.

 

 

 

Boulder Open Studios 2017, October 7-8 and 14-15

You’re invited!  My studio will be open to the public during Boulder Open Studios.  Stop by from noon to 6:00 pm on Saturday and Sunday, October 7-8 and 14-15.  The address is 1650 Yellow Pine Avenue, Boulder, Colorado 80304.

See "Novitiate," photograph during Boulder Open Studios 2017

“Novitiate,” photograph

 

See the first finished images from a new series of photographs titled, “Future Perfect.”  Minimal and bright, I’ll write more about these later, but for now just come and see!  Also on display: encaustic monotype, painting, and sculpture made of wood and wax.

 

The Boulder Open Studios Tour is one of Boulder’s best known and best loved visual arts events.  In an area with few established fine art galleries, it gives local artists an opportunity to show new work and connect.  It gives collectors a chance to meet artists and see new pieces before they go into a gallery.  For young artists coming up, Boulder Open Studios is a chance to meet working artists, see how people set up their studios, make work, and gather ideas.  I’m in it for the feedback.  It’s interesting to watch people interact with your work, see what they linger over and hear questions about it.

 

 

Correction

Alas, there was a mixup in printed guidebook this year and the image associated with my name in the guidebook is not mine.   If you’re looking for Jessica Tyler’s work, check her page out on Boulder’s Open Studios website.  The most reliable guide to Open Studios is the interactive website, not the printed guide nor PDF.

Boulder Arts Week 2017

Join me for some springtime art and cheer!  I’m hosting an open house at my studio in honor of Boulder Arts Week 2017 on Friday, April 7th.  Boulder Arts Week is a once-a-year celebration created to highlight the arts related goings-on that typically happen in Boulder in any given week.  While some artists create special events for Boulder Arts Week, others use it as a chance to let people know, “Hey, we’re here!  Check us out and see what we have on offer all year round.”

 

Boulder Arts Week Open House

Friday, April 7th, 6:00 to 9:00 pm

1650 Yellow Pine Ave. (downstairs)

Boulder, Colorado

encaustic monotype

“Bewitch,” encaustic monotype on rice paper mounted on panel, 8″ x 8″

Brushy/grassy

Here are few images from a new series of monotypes.

brushy4b

“Strike,” encaustic on rice paper mounted on panel, 8″ x 8″

 

Monotypes are one-off prints with a painterly quality.  (I think of them as a print/paint hybrids.)  The process for making them is immediate and cathartic.

brushy3b

“Thrust,” encaustic on rice paper mounted on panel, 8″ x 8″

 

My palette for these is minimal, mostly indigo, plus some black, sepia and a few other colors.

brushy9b

“Meander,” encaustic on rice paper mounted on panel, 8″ x 8″

 

See these and more at the Fifth Annual Petite Holiday Fair at my studio this Saturday, December 10th!  Join me from 10:00 am to 4:00 pm, 1650 Yellow Pine Avenue, Boulder, CO.

brushy5b

“Swoop,” encaustic on rice paper mounted on panel, 8″ x 8″

 

 

When Heaven and Nature Sing

Join me!  When Heaven and Nature Sing, a show of thirty-six paintings from One-Hundred Flowers is showing at Palette Contemporary Art and Craft in Albuquerque, New Mexico this December.

palette_postcard

“Sun Pop” is one of thirty-six paintings in “When Heaven and Nature Sing” at Palette in Albuquerque this month.

 

While not much of a churchgoer, I do attend a service at my neighborhood church on Christmas Eve to sing the old songs by candlelight.  Joy to the World, is a regular on the roster.  The refrain, “and heaven and nature sing,” always gets me wondering . . . What is the relationship between heaven and nature in the song?  Can you explain it using color?

100_flowers_wall2

“Saber,” “Rethinking the Fossil Record,” ” Kewpie,” and “Juicy,” each is encaustic and ink on panel, 5″ x 4″

 

One Hundred Flowers is a series of paintings based on botanical subjects where I aim to balance abandon with order by putting loose, gesture drawings of organic, botanical forms through a series of refining steps.

kewpie-maple-shelf_blog

“Kewpie,” encaustic and ink on panel, 5″ x 4″

 

Within each individual piece, I tend to go for analogous or tonal colors.  My goal is to arrive at a finished piece where the original subject is distilled to an essence, clarified, and transformed.

bean-maple-shelf_blog

“Bean,” encaustic, ink and gold leaf on panel, 5″ x 4″

 

But the series as a whole contains a mix of analogous and complementary hues. The thirty-six pieces below are available at Palette starting today through the end of the month.  Call or email gallery director Kurt Nelson for more information.

Superkitty

Barbie

Drink Me

Pickle

Animal

Orbit

Juicy

It's Hard To Say

Sweater

Simple Tree

Sun Pop

Utile

Mentor

Bean

In the Middle of

A Stream of Charged Particles

Mineral

Old Fashioned Rocketry

Saber

The Conformist

Fluffy

Trans

Penny

Droplet

Good Morning

A Good Sign

Lick

Rabbit

Kewpie

The Way We Stand

Grain

Spitting Image

White Flag of Courage

Seaside Alley

Clean Clean

Soothsayer